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AKNOWLDGEMENTS
Our appreciation of Percy
Nobbs and his work would be greatly diminished without the superb collection
of his drawings, plans, photographs, and papers that are preserved in the
Canadian Architecture Collection, McGill University Library. All who care
about Canadian architectural history owe a debt of gratitude to Nobbs's son
and daughter, Francis Nobbs and Phoebe Hyde, and to John Bland, Professor
Emeritus of Architecture at McGill, who have ensured the survival of this
important material. Their encouragement and enthusiasm have been notable among
the many pleasant aspects of my investigation of Nobbs.
My initial study of the
architect is contained in a thesis written in 1979 as a partial requirement
for the degree of Master of Fine Arts in Canadian Art History at Concordia
University, Montreal; and I am indebted to Dr. Harold Kalman, who acted as
my thesis advisor. During the preparation of the thesis and subsequently,
the unfailing support of John Bland has been crucial. A former student and
colleague of Nobbs, he has generously shared his own extensive knowledge and
ideas concerning the man and his work. Others at McGill have also been generous
with their help - in particular, Faith Wallis, Robert Michel, and Brian Owens
at the University Archives. The task of investigating Nobbs's planning activities
was made far less arduous thanks to two working papers prepared in 1977 and
1979 under the supervision of Jeanne Wolfe, Associate Professor at the McGill
School of Urban Planning: "The Town Planning Movement in Montreal 1900-1940,"
by Hannah Shostack and "Percy Nobbs and City Improvement," by Judi
Bouman. Judi Bouman kindly shared her excellent bibliography with me. In Alberta,
Helen Collinson, Director of the Ring House Gallery at the University of Alberta
in Edmonton, Gertrude Russell at the University Archives, and Heather Davidson
were most helpful, as were Dr. Michael McMordie, Director of the Faculty of
Environmental Design, and Annalise Walker, Curator of the Canadian Architectural
Archives, both at the University of Calgary, and Trudi Cowan, Executive Director
of the Alberta Historical Resources Foundation.
My special thanks go to
Conrad Graham, Registrar of the McCord Museum, who has been a constant source
of support, and to other members of the museum staff: Luc Matter, who designed
the monograph; Delphine Bourdius, Exhibitions Coordinator, and her assistants
Hannah Mestel and Robert Rohonczy; the translators Cécile Grenier and
Suzie Toutant; and StanleyTriggs, Curator of the Notman Archives, and his
assistants TomHumphry and Nora Hague. Finally, I would like to thank myhusband
Timothy for contributing his editorial talents.
Susan Wagg
Guest Curator
McCord Museum, McGill University
Montreal
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