TEACHING TOOLS
Ramsay Traquair used various media illustrating to his students
the art and science of craftsmanship. These different tools include woodcuts,
stained glass, and lectures embellished by glass slides.
WOOD CUTS
Very little is known about Traquair's teaching notes on
woodcuts, although the Department of Rare Books and Special Collections
(RBD) possesses five loose prints designed by Traquair, as well as the
two original wood blocks used to print a series woodcut. This series shows
a "set of prints illustrating the printing of a coloured woodcut
from a number of wood-blocks. Each colour is printed by hand from a separate
block" (Caption 3).
STAINED GLASS
The stained glass window entitled Winter was used by Traquair
to demonstrate the art of the technique. Two such lectures, stored by
the McGill University Archives, were given by him at McGill University:
"Stained Glass I: Technique" (8p. manuscript) and "History
of Stained Glass" [8p. manuscript]. First and foremost, stained glass
is described by Traquair to be called a transparent mosaic, not a picture,
that is a medieval product. If the function of the basic window is to
let in light, then the stained glass window renders this light interesting
and beautiful. The coloured piece of glass should be preserved with minimal
painting to retain its jewel-like quality. Each colour must have its own
piece of glass, fragments that are brought together with strips of lead
called cames. These vary in thickness from approximately ½"
to 7/8" (exception: white glass may be shaded with yellow; blue glass
may patterned with green, etc.). The junctions of the cames should be
at right angles as much as possible not to look clumsy. A full-size image
is drawn on a sheet of tracing cloth producing a cut line diagram, it
is from this that the pieces of glass will be cut and the lines show where
the cames will be placed. The best glass is cut into pieces about 7"
x 9" x 10" high. Saddle bars (iron, bronze, or gunmetal) are
required to stiffen stained glass that is larger than 2' x 3'. Coloured
glass exists as pot metal (coloured throughout) or flashed glass (white
glass with 1/8" of colour on one side), with the former being the
superior of the two. The chosen pieces of coloured glass are fixed in
place with beeswax on the cut line diagram. When the painting is done,
the glass is burnt to affix the paint onto the glass, usually 3 paintings
and 3 firings. Then the lead is added and soldered together.
GLASS SLIDES
The John Bland Canadian Architecture Collection holds
1,203 glass slides from various provinces with 179 devoted to Canadian
architecture and planning, general ornamentation and decoration. These
glass slides were produced for Traquair's and Nobbs' courses in the School
of Architecture. A selection of these slides gives a hint to which topics
Traquair felt were pedagogically valuable. The history and theory of planning
city spaces was important for a global understanding of architectural
intervention [1]. Craftsmanship is what made the building: joinery, masonry
details, and cabinet detailing [2]. The way in which a roof met the wall
and its variations were not to be neglected [3]. Theoretical aspects such
as human proportion, column spacing and diametres, and pure geometry of
forms were instructed [5][6][7]. Above all, drawing was a necessary skill
to enable architects to express their ideas, either two-dimensionally
or three-dimensionally [4][8].
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